Renaissance weaves magic in Annie Jump

Reese J Parish and Rachael Zientek in Annie Jump and the Library of Heaven

Two girls walk into a bar, one is a 13-year old science genius the other one, your typical Valley Girl,  is also a “ visual manifestation of a mindful of an intergalactic super computer built and maintained by a collection of the most advanced intelligent species in the universe.”

If it sounds like one of those familiar “walks into a bar” jokes, forget it.

In truth it is the setup for Annie Jump and the Library of Heaven, a Brink Festival winner by Reina Hardy getting a world premiere treatment at Renaissance Theaterworks.

Ms. Hardy is a young prolific Chicago playwright who is known for the themes of magical phantasmagorica in her works, and Annie fills that bill. It’s a play that is slightly uneven but full of some wonder, fantasy and a lot of laughs.

Reese J Parish plays Annie, a 13 year old science whiz who lives in Strawberry, Kansas

“I’m Annie Jump, and this whole story is about me.

I’m thirteen years old, I’m about to go to high school in the fall, and I’ve lived in Strawberry, Kansas for most of my life. My mom is from Chicago, but she’s dead now. I don’t miss her at all. I’m not mean or anything, I just don’t remember.

It’s not easy being a teenage science genius in a small town, especially when your dad believes in aliens. I try to take comfort in the thought that, even if he was totally and completely normal, no-one would like me anyway.

I mean, I have a 185 IQ, I got a perfect score on the SATs- last year, I put a hard boiled egg into orbit. Do you think there’s anything I could do to prevent Peter Stockholm and his cronies from stealing my gym shorts, besides being totally and completely someone other than me? Didn’t think so.”

Into Annie’s life comes self-described sophomore computer nerd KJ (Jarrod Langwinski) who is alternately infatuated with and intimidated by  Annie. She wastes no time or effort putting him in his place and he slinks off.

Moments after Annie introduces herself to the audience she is joined, as if from a puff of smoke, by a woman with a shockingly glorious mop of curly hair, wearing a frilly summer dress and a smile that says “I know a heck of a lot more than you’ll ever know.”

It’s Althea, played by a once-again spectacular Rachael Zientek, who turns this obvious outer space mystery into a classic Valley Girl complete with OMG’s, run on sentences and that kind of whine that either makes you smile or makes your skin crawl.

Althea tries to convince a skeptical Annie that she is truly from another world and that Annie has been designated as “the chosen one” who will hold close all the knowledge in the world.

It’s a cute story but has some drag in it, primarily because of the complexities of the number of stories being told, of the questions that need to be answered.

Is Annie’s dad crazy? Is Althea really from outer space? Is Annie going to move to Chicago? Are her grandparents going to sue her dad again trying to gain custody of Annie? Is the faxed promise of an alien landing in Hamlin’s real or a prank? And will KJ apologize if it’s a prank? Will Annie move to Chicago? Will Annie and KJ grow closer and cooperate? Is Annie’s dad going to die?

The play, under the humorous direction of the always-brilliant Pam Kriger, moves along at a good pace, especially in the scenes between Annie and Althea but it seems to drag when it drops into an exploration of other issues.

Having said that, it’s only 75 minutes long and the overwhelming majority of those minutes are full of laughs, magical mystery  and fascination.

Production credits: Director, Pam Kriger; Technical Director Anthony Lyons; Scenic and Lighting Designer, Jason Fassl; Props Master, Jordan Stanek; Sound Design & Original Composition, Josh Schmidt; Costume Design, Misti Bradford; Motion Design, John Fischer; Production Photographer, Ross E. Zentner.

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