The American story gets spectacular Johnny Cash treatment at The Rep

A huge slice of musical Americana is on full and stunning display in the intimate confines of the Stackner Cabaret at The Rep.

It’s “Ring of Fire,” a remounting of the 2013 hit show staged at the Stackner, but this time with a more powerful, skilled and emotionally moving cast.

A musical tribute to the long road to becoming an icon for Johnny Cash, warts and all, who lived a life that fit the Vince Lombardi quote of “it doesn’t matter how many times you get knocked down. What matters is how many times you get back up.”

Right now there is no better way to spend two hours as part of “Ring of Fire” which at turn will make you laugh, think and cry.

This cast of five actors/musicians is one of the most remarkable I’ve ever seen. They all seem to take turns playing all of the instruments that are on this sate, including guitar, banjo, ukelele, bass, harp, autoharp, drums and even spoons and tin cups.

The sheer brilliance of these musicians takes your breath away as they combine to take you on this particularly American journey. The five performers are Alex Keiper, James David Larson, Kent M. Lewis, Corbin Mayer and Paul Wyatt.

Mr. Lewis is the centerpiece as the Johnny Cash at the height and end of his career. Mr. Corbin takes center stage as the young Mr. Cash and Ms. Keiper fashions a gloriously delightful June Carter Cash.

Mr. Lewis has both the gravitas and the sarcastic humor that marked so much of Mr. Cash’s music. His work is not an impression, but it’s evocative of one of the most distinctly unique voices in country music.

He perfectly captures the playfulness in “Five Feet High and Rising,” the story of a flood of the cotton fields where the Cash family was raised and from which a guitar was the oar that rowed Mr. Cash out of a drowning flood of poverty.

He smoothly switches to the bitter weight of “Man in Black,” a very personal song that eloquently defines Mr. Cash’s view of the world around him. Mr. Wyatt is mesmerizing both in his focused communication with the audience and the personal interplay with the other members of the cast.

A perfect example of the kind of man Mr. Wyatt portrayed can be seen in the video below of the final performance of Mr. Cash which took place at a large wooden structure near Hiltons, VA., the center of life for the famed Carter family.

The final live performance of Johnny Cash, Sept. 13, 2003, two months before he died at 71.

Mr. Lewis did not deliver the only memorable performance from this extraordinary production that bore the distinct gracious touch of Rep Associate Artist, director and music director, Dan Kazemi. Mr. Kazemi regularly brings his brilliance to Rep musicals.

Mr. Larson is incredibly moving with “Delia’s Gone,” as song Mr. Cash recorded after looking for another murder song to follow his famous “Folsom Prison Blues” with the line, I shot a man in Reno, just to watch him die.”

The most emotional night came from Mr. Mayer performing a stripped down “Sunday Morning Coming Down.” Written by a y oung and broke Kris Kristofferson is often seen as Mr. Cash’s confession of his drug and alcohol use. However, the song was the brainchild of Mr. Kristofferson and only recorded after he landed a helicopter on Mr. Cash’s lawn and forced a demo tape into his hand. Sunday Morning was one of the songs on the tape the other was “Me and Bobby McGee.”

Mr. Kazemi understands that the centerpiece of this production needs to be the music and he let’s that happen, with a bare bones story filling in the gaps around the music.

And it’s the music that carries the audience along on the wings of a true American hero and invites the audience along for the ride.

Production credits: Director and Music Director, Dan Kazemi; Scenic Designer, Michelle Lily; Costume Designer, Alexander B. Tacoma; Lighting Designer, Aimee Hanyzewski; Sound Designer, Barry G. Funderburg; Choreographer, Stephanie Card; Casting Director, Frank Honts; Stage Manager, Richelle Harrington Calin.

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