If you think about it, any theatrical production can pretty easily be divided into five distinct parts that all end up trying to work together.
First you have the cast, secondly you have the director, thirdly you have the designers (set, sound, lights, costumes, props), stage management and, finally, the play.
Milwaukee Chamber Theatre has opened the Milwaukee theater season by staging “Sherlock Holmes and the Case of The Jersey Lily.”
It’s a nice thing to see on a summer night, but unfortunately you will only see four fifths of a great experience.
This production is bedeviled by the singular thing that is impossible to overcome – the play itself.
Katie Forgette has written a mystery/comedy about Sherlock Holmes and Oscar Wilde, a pairing with immense possibility. But she traps the troupe of wonderful actors in a shallow ditty rather than a deep and fascinating melding of two very special characters.
The backstory involves the theft of secret love letters, allegedly written by Lillie Langtry (Kady Allmand) to a member of the English royal family. She is being blackmailed for a huge ransom but doesn’t know who is doing the blackmailing.
She and Oscar Wilde (Rick Pendzich) decide to take the case to Sherlock Holmes (Brian J. Gill) who, with Dr. Watson (Ryan Schabach) by his side, hears her out.
So, we have now established the mystery that needs to be solved. And therein lies the rub.
In Ms. Forgette’s play, everything comes too easy.
Holmes figures all sorts of stuff out early and with almost no help from Watson, flying in the face of the Sherlock Holmes books. Watson here is reduced to a sniveling, star-struck groom to be. There is none of the interplay between the two of them that help make all these stories so interesting.
Ms. Forgette has drawn characters that are almost without substance. The evil Professor Moriarty (Matt Daniels) and Mr. Smythe and Abdul Karim (both played by Jesse Bharmrah) are created as caricatures and despite earnest efforts by Mr. Daniels and Mr. Bharmrah, they remain without the kind of substance the two conspirators need.
Perhaps the most fully developed characters both belong to Karen Estrada, one of the best comic actors in this city. She plays the housekeeper Mrs. Tory and the third conspirator, Mrs. Glynn with the kind of alomb we expect from her.
Ms. Allmand gives us a Lillie that has the kind of ethereal beauty, socialite bearing and accomplished actor that match the real life character. She does a lot with this little script and casts a smashing shadow over the proceedings.
Mr. Gill is smooth and confident as Sherlock, but his part is a difficult one to draw. Everything comes too easy for this Sherlock and there is not much more Mr. Gill could have done to make this sleuth more sleuth-like.
Finally, Mr. Pendzich, who has long been one of my absolute favorites, draws a Wilde who captures all of the quirks of the real character. Ms. Forgette wisely uses many of the witticisms from the real Wilde, but stops short of exploring more of his clever observance of mankind and his surroundings.
Mr. Pendzich is an absolute marvel of the well-turned eye, the most effective pause and the physical stylings that fit so well into any comedy.
Having said all that, and realizing that the whole thing is less than the sum of its parts, it’s still an evening of theater that can happily pass a couple of hours away on a warm summer night.